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“Human = Garbage” – Dystopia
Dystopia’s classic “Human = Garbage” LP is a tempest of life’s worst frustrations incarnate: a living, breathing storm fueled by societal oppression and futility. This album paints for its listeners an all-too-familiar image of day-to-day misery, and touches on themes of poverty, hopelessness, and suicide. The introductory monologue of “Stress Builds Character” sets up the rest of this hellish album as the soft-spoken narration gradually degenerates into frustrated shrieking, and what follows is absolute bitter misery, as sludge-laden riffage and chaotic drums pound listeners’ already lowered-expectations of life into a coarse dust.
The tracks that follow “Stress Builds Character” are no less dismal, and continue to inundate listeners with caustic, feral aggression, until the album’s climax, “Sleep” wherein the eerily narrated lyrics “sleep, my dream come true, my life will be over soon” are repeated over fittingly lethargic riffs, finally fading out to mind-erasing oblivion.
A furious, noxious effort, “Human = Garbage” will make you quit your day job and kill yourself (strictly a business decision).
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Infection
My sincerest apologies go out to anyone who has been following this site for the last week or so; I’ve been in and out of the hospital with a horrendous infection in my right arm, which has gotten into my elbow joint. I’ve had a PICC line put in and must take IV antibiotics each day for the next two weeks.
What’s strange about this whole experience is that, after all the times I put old, dirty needles I saved ‘for a rainy day’ in my truck (tossed haphazardly in the door panel in a nasty heap, disgustingly enough) what finally got me was a simple bug bite that I stupidly picked and itched at, until it became painful and swollen. Dirty needles? Nope. This.
Which just goes to show you how lucky I have been, because truthfully, this could -and would- have been much worse had I not endeavored to improve my circumstances and stop using. I’ll be working on some additional content tonight, and will post sometime in the next day or so.
Thanks for following.
-CM -
Night People: Prologue
“Night People” is a series I’m working on about the various denizens of the dark and dismal streets I’ve run into whilst roaming America’s forgotten backwoods highways and byways, and urban areas both before and after I became an addict myself. Each of these stories is true and is a portrait of someone I met during such encounters. These will be a glimpse into the nocturnal underworld of addiction, and will focus on the real, the unexpected, and the outright bizarre, and through these passages I hope to demonstrate some of the humanity that lingers behind the masks addicts often wear. Inside each junkie is a living, breathing person, a good human clinging to life, but trapped and isolated in a drug-induced stasis.
Some of these will be very serious in tone, while others may take a bewildering or even lighthearted turn, which is the dangerous part, the part programs like D.A.R.E. never touched on: the positive, the why: because NOBODY would ever do drugs if it didn’t feel fucking good.
But all things end, especially good things, and sometimes they aren’t what they seem.
That’s the point. Anyway, enjoy and be safe.
-CM
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Night People I: A Living Ghost
The dark stretches out into forever, night’s infinite veil seeps across the sky, draped over the trees on either side of the highway in that ghostlike way that sheets cover furniture in the homes of the recently deceased; dual walls of towering black leviathans closing in on either side of the asphalt, split by reflective white lines that I can barely see in my pickup’s dim headlights.
Gas is running low, and I see an exit a few miles up. Soon, streetlights come into view like counterfeit stars, until they finally come into full view, steel and concrete arms springing up like electric tombstones. I turn off, slowing down, and soon turn into the nearest gas station to fill up.
The pump makes a clunking sound, ka-chunk-ka-chunk-ka-chunk as it dispenses fuel, and once I’ve filled my tank, I prepare to hit the highway once more, like the last man on earth roaming aimlessly on a mission to nowhere. I light a cigarette, and roll down my window. As I’m pulling out, I hear a voice in the darkness: somewhere out there, in the misshapen mass of jagged dark that might be a town, coming down the street toward me. I think about ignoring it, but my conscience says “don’t”. He’s right. It might be important. I drive opposite the highway, slowing scanning the empty streets for life, and I see her, barely.
She comes closer into view, illuminated by my headlights: blonde, messy hair, maybe early twenties, white shirt and shorts. She looks wild and sickly, and she casts her head up like a wolf baying at a funeral moon and screams, “HELP!”
“Are, are you okay?” I ask.
“Oh, yeah, I’m fine,” she replies casually,”I’m just on a lot of drugs.”
She looks at me, and without another word or act of acknowledgment, throws back her head and starts howling “HELP!” again. I shrugged to myself, and drove off as the bewildering girl disappeared into my rear view mirror, into the darkness from whence she came. -CM -
“Zero Devil” – Cloak of Altering

Maurice “Mories” de Jong delivers yet another horrendous offering with Cloak of Altering’s “Zero Devil”. Each track is thoroughly bathed in a grit of electronic noise and seething guitar, and Mories’ half rasped, half howled vocals. Eerie bits of spoken word are heard here and again, as in parts of “Tired Drones Scan the Seas” and as whispered toward the end of “I Exhale the Dreams”. “Zero Devil” is every bit as mournful, depraved, and vitriolic as previous Cloak releases. Definitely worth a listen.
Support Cloak of Altering, and listen to “Zero Devil” here:
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“You Can’t Fall Off the Floor”
I don’t remember the last time I shot up.
I do, however, remember the first. I couldn’t do it myself -yet- so my girlfriend did it for me. Left arm, main pipe, powder. I remember the sting of the needle like yesterday. I savored it, and the release that followed. My eyes widened and a little moan escaped my mouth. The world was vibrating, and everything seemed serene. I told her it was ‘like God had come into me and chased all the demons away.’ I was obsessed from the beginning, only I didn’t realize it until much later, once I’d dropped thirty-odd pounds and the money was gone.
It’s funny how it happens. One day you’re going to ‘casually’ shoot some coke, just to try it, then a few months later, you’ve lost all of your marbles and are passing out at work because you’ve not slept in God only knows how long. Your body is wasted and caked in filth, your arms, hands, and neck are scabbed over with needle pricks. And one day, you look in the mirror and just like that, it dawns on you: “oh shit, I’m a junkie.” and then, another strange thing happens, which is that it’s not fun anymore, because now that you’ve become self-aware, you need it. Once you’ve become cognizant of exactly why you’re feeling so irritable and worn-out, then it becomes your duty in life to fix it, and fix it you shall, over and over and over, ad infinitum.
For me, I’m not proud of what I did, but I’m not ashamed of it, either. I made the mistake of letting the shame and guilt eat me and put off stopping because I thought I’d never get better, that recovery was a myth, whatever. But somewhere inside, I was burning for a real life, to be free again. I just needed a reason.
Not everyone who gets into drugs will quit, but with the right tools, they can. For me, it was my work, my girlfriend (now fiance`) it was my family, but ultimately, it was because I knew that the gaunt, sunken features of the filthy thing in the mirror weren’t mine. I couldn’t accept that thing as me. If you’re reading this and you are going through addiction, of any sort or kind, don’t let the monster win. You must choose, and you must choose for a reason. When you’ve found one, hold on to it for dear life, and don’t ever, ever let go.
And if you’re scared, don’t worry because you can’t fall off the floor.
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“Terminal Aggressor” -Dragged Into Sunlight

A staggering, mind-bending effort, Dragged Into Sunlight’s “Terminal Aggressor” is positively seething with misanthropy. Challenging, yet alluring, this is the soundtrack to a serial killer’s psyche. It takes a special kind of lunatic to really appreciate this sort of thing. Terminal Aggressor is pulsating, thrumming and ready to burst like a bloated dog carcass rotting in a roadside ditch in the midsummer sun.
This demo was originally released on cassette in 2006, so your only chances of hearing it are to track one down from a private seller or listen to it on Youtube. Give it a shot. Hell is waiting.
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8/20/2018-Blog
Today marks the official launch date of this site, and I couldn’t be happier to finally be committing to this project. That said, it’s important for me to reflect on this time last year, as during this period in 2017, I was still badly addicted to smoking and shooting crack.
My fiance` and I had moved into our apartment (where we remain today) at the beginning of last July and I had already decided that I didn’t want to continue down the path of addiction. “I want to get clean” was an easy thing to say. I remember thinking about it like a child who says to his mother “I want to be an astronaut when I grow up!” Well, of course you do, kiddo, but will you? In our infancy we fail to realize how difficult certain goals are to achieve when setting them.
We relapsed not long into our first month. Each paycheck was spent on dope. Every red cent that didn’t go to rent or utilities, or sparse meals (Maruchan shrimp ramen, and the occasional delicacy of a McChicken or two) was injected or inhaled. We were perpetually behind on our bills, and I was struggling to hold my job. After all, it’s not easy to work without sleep and while on hard drugs.
But that time has passed. Here’s to new beginnings, and the end of a miserable era of pseudo-survival. Welcome to The Tower.
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“A World Lit Only By Fire”-Godflesh
This monolithic slab of crushing industrial metal was seen by many as a return to Streetcleaner-era Godflesh. This album is a sprawling dystopian hell-scape, brooding and formidable, impossible to traverse unscathed by its rage. Its undeniable heaviness peaks in its outro, “Forgive Our Fathers”; minimalistic and repetitive, but nonetheless soul-grinding riffs produce the effect of a boot stamping on a human face, forever.
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“For All Slaves… A Song of False Hope”
This was the first Gnaw Their Tongues album I ever purchased, and represents a gloom-swept, gut-churning descent into the deepest pits of humanity’s dark subconscious. From the abysmal eponymous introduction to its vitriolic climax, “For All Slaves…” is like the lingering odor of a suicide’s voided bowels: even after all the bits and pieces are swept away, one knows the house will never be truly clean.
